If you haven't read The Abolition of
Man just do it. Really, do. It's one of those books which is so short
it's almost embarrassing not to have read, and is constantly
applicable in discourse. But anyway. Lewis plugs aside, this book is
full of thoughtful cogitations (is that redundant? probably) and
excellent examples. This time around, one of the most interesting
ideas for me was Lewis's thoughts on the mentality of debunking, and
in particular a few images which he used to outline this discussion.
No doubt the world in which we live is
full of just such debunkers as “Gaius and Titus”. Men and women
who mistake harsh criticism for wisdom and intellect. This is a
product, of course, of the fact that it is so easy to dismiss things
and incredibly difficult to create them. Amateurs and young people
especially seem to be guilty of this (though I may simply notice them
more because they are my peers). Sure things are imperfect, and
indeed some things ought to be heartily dismissed, but if we live in
a world where the only thing people know how to do is tear down
imperfect things nothing would stand on the face of this earth. I
believe that.
It has honestly been a revelation to me
over the past few years of my life that there are actually human
hands and minds behind the remarkable complexity of the my car, my
doctors office, the laptop I'm typing this on and nearly everything
around me. And further I have a hand and mind and heart such that I
could create these things too. This is why I love knitting and
crafting so much, I still marvel at the fact that I could make
something and use it. The bowl in my cupboard doesn't have to come
from the store shelves,
in can also come from the spinning clay in my hands. The remarkable
words I read from the books on my shelves didn't land on the page in
perfection, they were crafted there, and I can craft them
too.
There's
a fascinating movement of sorts that I came across online a few years
ago which often springs to mind. It is called The Cult of Done
Manifesto (http://www.brepettis.com/blog/2009/3/3/the-cult-of-done-manifesto.html) and it deals with this idea of creating things and getting
them done rather than waffling in the editing stage indefinitely. One
of my favorite points, number 9 on the manifesto says “People
without dirty hands are wrong. Doing something makes you right.”
Now it's a decidedly questionable idea, particularly the second half
which could be quite dangerous were in not being used primarily by a
group of people for whom “doing something” really means making
art. (Not that art isn't an earth-shaking endeavor, but it is less
likely to result in bloodshed and massive inequality than many other
pursuits.) However the image of that first part is quite important.
“People without dirty hands are wrong.” If you're not willing to
step into the fray and try to build something with me, if your
intention is not to improve but simply to tear down, I do not want to
hear what you have to say. It is those who are out there doing: the
makers, the builders, the writers, architects, educators,
researchers, chefs, these are the people whose voices I want to hear.
It is Lewis's poet I want to see crafting our language,
and not the theorist.
Which
brings me around, at last, to the quotation from Abolition which
resonated most with me. (And it actually is one of the ones I posted
from last Saturday! Go me!) Lewis writes,
“A
theorist about language may approach his language, as it were from
outside, regarding its genius as a thing that has no claim on him and
advocating wholesale alterations of its idiom and spelling in the
interests of commercial convenience or scientific accuracy. That is
one thing. A great poet, who has 'loved, and been well nurtured in,
his mother tongue', may also make great alterations in it, but his
changes of the language are made in the spirit of the language
itself: he works from within. The language which suffers, also
inspires the changes."
This
example, for me, was perfect. An appreciation of tradition, of what
has come before, does not mean that you wish it to remain unchanged.
The choice is not between stasis and destruction, accepting or
rejecting completely. The one who cherishes tradition must build upon
the history they are given and grow that tradition. To prune a tree
so that it can grow is a world away from chopping it down and
planting a sapling by its upturned roots. It's true in science, it's
true in politics, it's true in each discipline. A chemist rooted in
the knowledge garnered before her equips herself to make important
new discoveries. Likewise, a leader who loves his country will serve
it far better than a dictator who does not. Just as the branches of
an old tree grow upward, toward the sun.
Keep pruning, keep reaching,
keep growing in the light of the sun.
TL:DR Get your hands dirty. Go make something.
I appreciate that you have a TLDR.
ReplyDeleteBut how perfectly does this tie into your last post about Renaissance Art! Why do we insist these days on throwing off everything "old" for the sake of "progress"? The choice, you are right, is not between stasis and destruction. Nor is it between progress and tradition. It is, as always, about both progress and tradition.
I'm gonna go be inspired by some art and make something :)